-An escort who specializes in 'the girlfriend experience'--providing feigned emotional intimacy with her clients on top of sexual, a literal companion--goes about her job and her boyfriend, a personal trainer, over the background of the 2008 economic crisis and election.-Sasha Grey. She is a porn star. This has been the main gimmick the ads have pushed. It would imply that there's tons of sexay times to be had in this, which is just not true. She's naked once in the entire movie, and it is in an entirely non sexual context. Oh, sure, skimpy lingerie here and there, but for the most part, director Steven Soderberg (my latest director obsession) does not exploit the fact that she's an (ahem) adult actress. Getting that out of the way.
-Anyway, I'm mixed about her performance. Her line delivery can, at times, be brutally flat (such as when she has an argument with her boyfriend), and at others, she can excellently balance the coldness of her profession and the conflict that's going on in her own head. I could say that in this movie, she is cold and dull, unaided by some lifeless dialogue. But, when you think about it, it makes sense. She's an escort who's personal policy is to remain as emotionally distant as possible from her clients, a habit that falls into her personal life.
-Only someone who has had sex for money, in this case, a porn star, could've gotten that across. Let's face it, had they gotten a 'legitimate' actress for the role, someone--the actress, the director--would've turned it into a bitchy role, made the main character unlikeable, that or a typical 'woe-is-me-I'm-a-hooker-just-waiting-for-the-right-john-to-wisk-me-away-sob' character. Only once does she cry, and it is a striking scene, because by and large, her demeanor has been chilly and controlled, so when she finally does start belated emotions, you feel for her. You understand, completely, why emotional distance is necessary, something, again, I'm not sure could've been pulled off by anyone with less than personal experience.
-But then, Grey does a precarious balancing act between repressed emotional sincerity and narcissism.
-Anyway. The movie itself is a rather bleak look at human nature, but there is something strangely soulless about it. Grey does slightly elevate the dialogue, which is tedious and arbitrary (I guess the point, but whatever). The cinematography, glossy semi-shaky cam, makes the entire thing feel like a fashion shoot, alien and disconnected, but oh-so-pretty to look at.
-Another experimental Soderbergh movie that could've been great if it...I dunno. Good night.